A staff-curated selection of films in honor of Pride Month
With a contract to perform a drag show way out in the Australian desert, Tick, Adam and Ralph each has his own reason for wanting to leave the safety of Sydney. Christening their battered, pink tour bus "Priscilla," this wickedly funny and high-drama trio heads for the outback and into crazy adventures in even crazier outfits.
A metaphysical exploration of queer love and loneliness, familial grief and healing, this delicate but audacious chamber drama confirms director Andrew Haigh's gift for bringing complicated emotions to the screen. Isolated in a seemingly empty new high-rise, London screenwriter Adam finds his solitary existence upended when he begins a passionate romance with the impulsive Harry, then reconnects with his parents in a reunion that pushes beyond the limits of time and space.
The story of a middle-aged gay couple's comic encounter with a self-righteously straight and conservative family: Armand and Albert reluctantly accept young Val's intention to marry the daughter of a conservative Senator, but when the fiancee's family comes to visit, the whole household is turned upside down.
In this refreshingly unique comedy directed by Emma Seligman, two girls, PJ and Josie, start a fight club as a way to lose their virginity to cheerleaders. And their bizarre plan works! The fight club gains traction, and soon the most popular girls in school are beating each other up in the name of self-defense. But PJ and Josie find themselves in over their heads and in need of a way out before their plan is exposed.
It is 1950s Nevada, and Professor Vivian Bell arrives to get a divorce. She's unsatisfied with her marriage, and feels out of place at the ranch she stays on, she finds herself increasingly drawn to Cay Rivers, an open and self-assured lesbian, and the ranch owner's daughter.
One wild night, a repressed man, a twink, a happy ending, and all the lives they ruin along the way.
A Korean woman who is hired as handmaiden to a young Japanese lady is secretly plotting with a conman to defraud her of her large inheritance.
Based on true love, this decades spanning romance begins in Mexico between an aspiring chef and a teacher. Their lives restart in incredible ways as societal pressure propels them to embark on a treacherous journey to NYC with dreams, hopes, and memories in tow.
Lalia (Mouna Hawa), Salma (Sana Jammelieh), and Nur (Shaden Kanboura) share an apartment in the vibrant heart of Tel Aviv. Lalia, a criminal lawyer with a wicked wit, loves to burn off her workday stress in the underground club scene. Salma, slightly more subdued, is a DJ and bartender. Nur is a younger, religious Muslim girl who moves into the apartment in order to study at the university. Nur is both intrigued and intimidated by her two sophisticated roommates. These three very different women find themselves doing the same balancing act between tradition and modernity, citizenship and culture, fealty and freedom.
Two con artists have spent 26 years training their only daughter to swindle, scam, and steal at every turn. During a desperate and hastily conceived heist, they charm a stranger into joining them, only to have their entire world turned upside down.
A space princess is thrust out of her sheltered life and into a galactic quest to save her bounty hunter ex-girlfriend from the Straight White Maliens.
A young African-American man grapples with his identity and sexuality while experiencing the everyday struggles of childhood, adolescence, and burgeoning adulthood.
Naveen's worlds collide when he finally brings Jay, his white-artist-fiancé, to meet his traditional Indian family. Comic misunderstandings and emotional revelations put everyone on edge, as the family tries to plan a dream Indian wedding.
Where does voguing come from, and what, exactly, is throwing shade? This landmark documentary provides a vibrant snapshot of the 1980s through the eyes of New York City₂s African American and Latinx Harlem drag-ball scene. Made over seven years, it offers an intimate portrait of rival fashion houses, from fierce contests for trophies to house mothers offering sustenance in a world rampant with homophobia, transphobia, racism, AIDS, and poverty.
Despite a political rivalry between their families, Kena and Ziki resist and remain close friends, supporting each other to pursue their dreams in a conservative society. When love blossoms between them, the two girls will be forced to choose between happiness and safety.
Just as Wil, a harried young surgical resident, begins a promising romance with the flirtatious dancer Vivian, her life is turned upside down when her more traditional Chinese mother unwed and unexpectedly pregnant moves in with her, forcing both women to confront the generational and cultural barriers that have long troubled their relationship. Both embracing and cleverly subverting rom-com conventions, Wu delivers a bighearted ode to the Chinese American diaspora, and the liberating joy of living one's truth.
Paris, 1993. Jacques (Pierre Deladonchamps) is a semi-renowned writer and single father in his thirties trying to maintain his sense of romance and humor in spite of the turmoil in his life and the world. While on a work trip to Brittany, he meets Arthur (Vincent Lacoste), an aspiring filmmaker in his early twenties, who is experiencing a sexual awakening and eager to get out of his parochial life. Arthur becomes instantly smitten with the older man.
The film follows retired hairdresser and local bar performer icon Pat Pitsenbarger who has given up on life from the confines of his small-town Sandusky, Ohio nursing home. But when Pat gets word that a former client's dying wish was for him to style her final hairdo, he sets out on an epic journey across Sandusky to confront the ghosts of his past, and collect the beauty supplies necessary for the job. A comical and bittersweet journey about rediscovering oneself, and looking gorgeous while doing so.
The wry, incisive debut feature by Cheryl Dunye gave cinema something bracingly new and groundbreaking: a vibrant representation of Black lesbian identity by a Black lesbian filmmaker. Dunye stars as Cheryl, a video-store clerk and aspiring director whose interest in forgotten Black actresses leads her to investigate an obscure 1930s performer known as the Watermelon Woman, whose story proves to have surprising resonances with Cheryl's own life as she navigates a new relationship with a white girlfriend. Balancing a breezy romantic comedy with a serious inquiry into the history of Black and queer women in Hollywood, The Watermelon Woman slyly rewrites long-standing constructions of race and sexuality on-screen, introducing an important voice in American cinema.
From Director Andrew Ahn comes a joyful comedy of errors about a chosen family navigating the disasters and delights of family expectations, queerness, and cultural identity. Angela and her partner Lee have been unlucky with their IVF treatments but can't afford to pay for another round. Meanwhile their friend Min, the closeted scion of a multinational corporate empire, has plenty of family money but a soon-to-expire student visa. When his commitment-phobic boyfriend Chris rejects his proposal, Min makes the offer to Angela instead: a green card marriage in exchange for funding Lee's IVF.