Ah, home sweet home...um, maybe. That urban castle of solace can quickly turn into one of strife if you are plagued by nosey or noisy neighbors.
Mister Rogers' Neighborhood never prepared us for the Griswolds and Mr. & Mrs. Smiths of the world. Now that the weather is improving, you can't rush past your neighbor because it's too cold to chat. So how can you move from avoidance to acceptance and appreciate the neighbors you have?
When you laugh at something funny that an actor or entertainer has said at an awards show, in an interview or as patter in a concert event -- you likely have this man to thank. Hollywood's secret weapon is exposed in the documentary Get Bruce!
Check out this funny documentary at our upcoming film night at the library:
Get Bruce!(1999), Tuesday, April 30, 6:30-9 p.m., Central Library, Level B2 Conference Center
Libraries are sites of imagination and possibility. Each book contains a tiny world capable of transporting the reader into a radically different time and place. In a similar way, the space of the library itself -- whether dark and dusty or bright and modern -- also has the potential to transport us out of the realm of the ordinary.
In honor of National Library Week I'd like to present a few of my favorite cinematic libraries. All these titles are available to check out through DPL.
Not since Garbo laughed in the film, Ninotchka, has so much been done by one American to make a Russian laugh -- according to the documentary film, Exporting Raymond. Denver Public Library Film Series kicks off its 8th annual documentary showcase this Tuesday.
Denver Public Library’s Film Series has put together a mini-collection of docs that explores the world of comedy entertainment. Documentary films are often funny accidentally. These are no exception – but they also chronicle the world of professional comedy and comedy writing. It’s serious fun to watch other people try to be funny, with varying levels of success!
Feature films are supposed to be entertaining, while documentaries present us with grim reality. But the best documentaries often introduce us to extraordinary and intriguing people -- and sometimes go places even the filmmakers didn't anticipate. Here are some documentaries with a few unexpected twists.
Watching a movie doesn't usually make me want to fill up my car with items for the Goodwill, unless that movie is The Queen of Versailles. Filmmaker Lauren Greenfield started out wanting to tell the story of billionaire David Siegel and buxom third wife Jackie's quest to build the largest and most expensive house in the country. In the middle of filming, though, the housing crisis nearly wiped out Siegel and his predatory timeshare business.
He had such a prominent presence online, on Twitter (my social medium of choice), Facebook and his blog. Here are some of the tweets that came across my feed yesterday afternoon. It's fascinating to see how widespread is the love for Roger Ebert.
Ebert's last tweet, linking to his last blog post for the Chicago Sun Times, posted 2 days before he passed away and 46 years after being named the film critic for the Chicago Sun-Times:
The wait for season three is over! HBO’s adaptation of George R.R. Martin’s epic fantasy series has returned with new episodes.
The anticipation for the new season has increased each time HBO released a teaser trailer (five of them!) or piece of news (Diana Rigg joins the cast!). Season three, loosely based on the first half of Book 3, A Storm of Swords, promises more of the action, intrigue, romance (and dragons!) we’ve come to expect from this series.
The film Salomé starring Russian-born American actress and producer Alla Nazimova is legendary -- for its cast (rumored to be all gay and lesbian), its delayed release (made in 1923, it wasn't viewed by American Audiences until 1937), its complete failure to capture a contemporary audience and its current reappraisal as one of the foremost art films in cinema history with a devoted fan base. Enjoy a rare screening of Salomé on our big screen!
Fresh City Life's first film series of the new year, Vamp: Femme Fatales of the Silent Era, wraps with an exquisite relic from the silver screen archives. It's a treasure!
Tuesday, March 19, 6:30-9 p.m.
Central Library, Level B2 Conference Center
A film considered the great apex of the silent film era, Our Dancing Daughters is a perfect time capsule of 1920s high society and a showcase for the young woman formerly known as Lucille Le Sueur -- Joan Crawford.
She rose to fame as the quintessential Jazz Baby -- a woman of social means and relaxed morals who was liberated of the corsets and sexual mores of the previous age. And Joan Crawford was embraced by American and international film fans as the ideal movie star. She remained a box office favorite until the late 1940s and never stopped being a star until her death in 1977.
"We had individuality. We did as we pleased. We stayed up late. We dressed the way we wanted. I used to whiz down Sunset Boulevard in my open Kissel, with several red chow dogs to match my hair. Today, they're sensible and end up with better health. But we had more fun." -- Clara Bow
She challenged even the relaxed mores of Hollywood. Born to a mentally ill mother who tainted much of her childhood, she came from poverty and abuse to remake herself into the eponymous IT girl; Clara Bow is the stuff of Hollywood legends.
See the original film this month at Denver Public Library, and you'll get "it."