Writer, composer and performer Nick Busheff knows a thing or two about showmanship; he's learned from the legends of pop and rock.
Part of the group Kinky Mink, that entertains packed houses with their rock anthems turned into lounge music, Nick Busheff has carved out his own niche in local music. And Kinky Mink is poised to take their act to the next level. Before we'll have to say, "we knew him when" -- Nick performs for Fresh City Life's Weekend Music Series.
Legends of Piano with Nick Busheff
Saturday, February 2, 2-3 p.m.
Central Library, Level 1 Schlessman Hall
The erhu, a two-stringed instrument which is evocative of China, is being used in contemporary recordings of pop and underground dance music.
For a one-thousand-year-old instrument, the erhu is holding up pretty well in modern times. It has been featured in contemporary film scores (House of Flying Daggers) and utilized by rock and pop musicians for it's unmistakable sound.
Compassionate musician Sandra Wong brings a sense of history and humanity to Holocaust Remembrance Day -- this Sunday, January 27
“So I was hiding out in the heap of dead bodies because in the last week when the crematoria didn’t function at all, the bodies were just building up higher and higher. So there I was at nighttime, in the daytime I was roaming around in the camp, and this is where I actually survived, January 27, I was one of the very first, Birkenau was one of the very first camps being liberated. This was my, my survival chance." -- Bart Stern (Holocaust survivor)
As we mentally prepare for what will be, it’s always helpful to look back at what was. Looking forward, 2013 will undoubtedly be an exciting year for new music. With anticipated releases from Black Rebel Motorcycle Club, A$AP Rocky, Bad Religion, Kid Cudi, Black Sabbath (maybe...), M.I.A., and bands that will pull a ‘Lumineers‘ on us by coming out of nowhere to take over the radio waves, we have a lot to look forward to...
But as we wait for an exciting 2013, why not listen to the best of 2012? Looking back, it was a wonderful and endlessly fascinating year for music. Veterans Neil Young and Crazy Horse stampeded back onto the scene by releasing two (!) critically acclaimed albums, in addition to Young’s biography Waging Heavy Peace (read Bobby’s book review). Die Antwoord returned and reminded us why they hold such a special place in our hearts.
You're welcome to interpret that as the library giving out some, but it's also the title of the newest creation by Medeski Martin & Wood. Comprised of a collection of recordings from their all-acoustic tour in 2007, it manages to simultaneously surprise and maintain a level of consistency that fans expect.
MMW has been around since 1991 and, like most jazz groups, has a complex history deeply intertwined in collaboration with other musicians. Members John Medeski--piano and keyboard, Billy Martin--drums, and Chris Wood--bass, have each dabbled in many projects over the years individually, and together combine a host of talents and backgrounds. Speaking of jazz, you can think of MMW as that, but such a wide variety of other genres go into it that maybe the most accurate moniker would be experimento-jazz-funk-jam-band.
I have no patience for TV awards shows, but I love the Latin GRAMMYs! And this year's performances and winners were no exception. Last night's event (November 15) showcased the fantastic variety that is Latin music and the winners reflected that diversity, too. We're fortunate to have the music of many of the winning artists and albums available for checkout in the Library.
Juanes won Album of the Year and Best Long Form Music Video for MTV Unplugged, his collaboration with Spanish composer Joaquín Sabines. Jesse & Joy won in multiple categories--Record of the Year, Song of the Year, Best Contemporary Pop Vocal Album and Best Short Form Music Video.
If you caught the Madonna show at the Pepsi Center on Thursday night, you were probably operating at a sleep deficit if you had work Friday morning.
The material girl arrived on stage nearly 3 hours late for her show and by the end was almost universally forgiven by those who stayed for the spectacular production, rife with elaborate sets, costumes and her trademark flawless troupe of dancers. While her inclusion of an opening number in which the black-clad diva brandishes guns and repeatedly "kills" members of her troupe had angered some audiences even before she reached Colorado, site of the recent horrific Aurora Theater Shootings,