My grandfather's study during my childhood is one of my most persistent place memories, a persistence I owe entirely to Norman Rockwell, though I didn't know it at the time. There, above my grandfather's desk -- a hulking, heavy thing squatting like a toad in the very center of the windowless room -- hung a different sort of window: a print. An illustration of a befuddled artist. Sleeves rolled up beyond his elbows, knees splayed, and, most notably, face turned frustratingly away for all eternity, this artist at work drew my gaze again and again. Even from behind, the guy was full of personality. I liked the look of the nape of his neck, taut and skinny, and that he wore saddle shoes like I did, and that, in a manner of speaking, I was catching him "in the act" -- because he couldn't see me, I could look and look and never be rude. Not exactly.
Some Google image searching a few years ago matched up my memory with one of Rockwell's Saturday Evening Post covers: "Blank Canvas," which made its debut on the October 8, 1938 issue of the magazine. Now I suppose this befuddled artist to be Rockwell himself, scratching his own head over the very illustration he's just now brought into being. As a kid, of course, I never quite grasped this meta aspect to the piece, but I like to think I could sense it. I could feel there was some joke in the perpetual unknown of the artist's face. If he could turn, it would be with a wink, certainly.
Norman Rockwell: Imagining Freedom is slated to be on view with general admission through September 7. Here curators contextualize Rockwell's art politically, paying special attention to the pieces he created to advance Franklin D. Roosevelt's concept of the Four Freedoms -- Freedom of Speech, Freedom of Worship, Freedom from Want, and Freedom from Fear -- which the then-president leveraged, in part, into the U.S.'s involvement in World War II.
Today, as we navigate yet another period of uncertainty, Rockwell's efforts through art to promote citizens' investment in the "common good" take on a fresh relevance. There's no coy looking-away, no joking, in these images, not by a long shot; nor do I imagine much head-scratching on the artist's part. Rockwell's mission was clear. These are images that look viewers straight in the eye, Americans at their collective, idealized best, standing up, speaking out, and forging ahead with only the well-being of each other in mind. In Norman Rockwell: Imagining Freedom, we find a quintessentially American artist at work on a quintessentially American subject. Rockwell captures his fellow Americans "in the act."
Take a look at some suggested digital resources, as well as what we have on our shelves across the street at DPL -- while we're closed, you can add titles that pique your interest to a list for later, with the exception of the reference collections materials at the end:
The Rockwell Museum's answer to Lana Del Rey's NFR! -- I can't tell you what "NFR" stands for, but you can find out for yourself by listening to the title track of the critically-acclaimed pop-iconography-obsessed album here.
American Mirror: The Life and Art of Norman Rockwell by Deborah Solomon (2013; Audio eBook)
Norman Rockwell: An American Portrait (1987; SILLVR Film on Demand)
Rockwell fun facts on Mental Floss
Denver Art Museum's Resource List
On Our Shelves
My Adventures as an Illustrator: The Definitive Edition by Norman Rockwell, as told to Tom Rockwell; edited by Abigail Rockwell (2019)
American Mirror: The Life and Art of Norman Rockwell by Deborah Solomon (2013)
Norman Rockwell: A Life by Laura Claridge (2001)
American Chronicles: The Art of Norman Rockwell edited by Danilo Eccher and Stephanie Haboush Plunkett; exhibition organized by the Norman Rockwell Museum and Fondazione Roma Arte-Musei (2014)
Norman Rockwell: Behind the Camera by Ron Schick; foreword by John Rockwell; introduction by Stephanie Haboush Plunkett (2009) -- learn about the photographs and real-life people behind the illustrations
Norman Rockwell: A Centennial Celebration by the Norman Rockwell Museum (1993)
332 Magazine Covers by Norman Rockwell; text by Christopher Finch (1979)
The Fight for the Four Freedoms: What Made FDR and the Greatest Generation Truly Great by Harvey J. Kaye (2014)
Just for Kids
Who Was Norman Rockwell? by Sarah Fabiny; illustrated by Gregory Copeland (2019)
Hi, I'm Norman: The Story of American Illustrator Norman Rockwell by Robert Burleigh; illustrated by Wendell Minor (2019)
You're a Grand Old Flag by George M. Cohan; illustrations by Norman Rockwell (2008)
Just for Fun
Drawing Lessons from the Famous Artists School: Classic Techniques and Expert Tips from the Golden Age of Illustration by Stephanie Haboush Plunkett, Chief Curator, Norman Rockwell Museum (2017) -- learn to draw like Rockwell!
Norman Rockwell: A Pop-Up Art Experience by Bob Hersey (1999) -- pop-ups of Saturday Evening Post covers from 1926-1961 (How can you resist?!)
Norman Rockwell's Patriotic Times edited by George Mendoza; foreword by Ronald Reagan (1985)
The Norman Rockwell Family Songbook arranged by Stephen Dydo and Randa Kirshbaum; illustrations by Norman Rockwell (1984)
At the Periphery
Cartoon County: My Father and His Friends in the Golden Age of Make-Believe by Cullen Murphy (2017) -- Murphy unpacks his relationship with his father, a former student of Rockwell's
Perfect Wave: More Essays on Art and Democracy by Dave Hickey (2017)
Always Looking: Essays on Art by John Updike; edited by Christopher Carduff (2012) -- I can't imagine any better novelist-on-artist pairing.
In Reference Collections
(available for viewing at Central Library when it reopens)
Boy Scout Fieldbook by the Boy Scouts of America; illustrated by Norman Rockwell (1978)
The Norman Rockwell Storybook by Jan Wahl; illustrations by Norman Rockwell (1969)
The Adventures of Tom Sawyer by Mark Twain; illustrated by Norman Rockwell (1936)
--- Guest blog contributed by Lainie F. ---