Kwame Alexander shares snapshots of a man learning how to love. He takes us through stories of his parents: from being awkward newlyweds in the sticky Chicago summer of 1967, to the sometimes-confusing ways they showed their love to each other, and for him. Alexander attempts to deal with the unraveling of his marriage and the grief of his mother's recent passing while sharing the solace he found in learning how to perfect her famous fried-chicken dish. With an open heart, Alexander weaves together memories to understand his greatest love for his daughters.
The debut poetry collection from Grammy-nominated recording artist and slam poet Tarriona "Tank" Ball about infatuation, love, and heartbreak. The real-life story of a relationship in the author's past told in verse and short prose pieces. Relatable and honest, with Tank's signature mix of whimsy and realness, Vulnerable AF is about the difference between love and infatuation, the danger and confusion of losing yourself in the idea of someone else, and coming out on the other side of heartbreak with your sense of self-worth - and your sense of humour - stronger for it.
A celebration of voices outside the dominant cultural narrative, who boldly embraced an array of styles and forms and redefined what-and whom-the mainstream would include, Bennett's book illuminates the profound influence spoken word has had everywhere melodious words are heard, from Broadway to academia, from the podiums of political protest to cafes, schools, and rooms full of strangers all across the world.
In this collection of over 100 poems, Richard Blanco has carefully selected poems from his previous books that represent his evolution as a writer grappling with his identity, working to find and define “home,” and bookended them with new poems that address those issues from a fresh, more mature perspective, allowing him to approach surrendering the pain and urgency of his past explorations.
These incandescent poems by Cuban American poet Victoria María Castells explore how we can salvage our notion of paradise in an overspent Eden. Through these poems, dictators, grandmothers, mythical characters, and buccaneers are given voices of equal strength, challenging what constitutes truth under a prism of fantasy and desire.
Megan Fox showcases her wicked humor throughout a heartbreaking and dark collection of poetry. Over the course of more than seventy poems Fox chronicles all the ways in which we fit ourselves into the shape of the ones we love, even if it means losing ourselves in the process.
Characterized by “a radical simplicity and seriousness of purpose, along with a fearless interest in autobiography and its tragedies and redemptions” (Matthew Zapruder, New York Times Magazine), Marie Howe’s poetry transforms penetrating observations of everyday life into sacred, humane miracles.
Sor Juana (1651-1695) was a fiery feminist and a woman ahead of her time. Like Simone de Beauvoir, she was very much a public intellectual. Her contemporaries called her "the Tenth Muse" and "the Phoenix of Mexico," names that continue to resonate. An illegitimate child, self-taught intellectual, and court favorite, she rose to the height of fame as a writer in Mexico City during the Spanish Golden Age. This volume includes Sor Juana's best-known works.
Divided into five chapters and illustrated by Kaur, The Sun and Her Flowers is a journey of wilting, falling, rooting, rising, and blooming. A celebration of love in all its forms.
The poems of Rose Quartz hum with the naked energy of one who has found her way home after a journey rife with difficulty and who has the scars to show for it. In them, Sasha taqwšəblu LaPointe moves from intimate scenes of peril—a car accident, an unwelcome advance at a party, a miscarriage—to the salvific, exhilarating punk scene of the Pacific Northwest and the centering shores of her Coast Salish ancestors. Along the way, she peers into the darker corners of her own search for belonging, and finds there glittering stones dense with meaning and the power to move forward.
Elegant, profound, and intoxicating--this is the author's first major collection of poetry after winning the Pulitzer Prize for Digest. Moving fluidly between considerations of the hip-hop group NWA, Tituba, the only Black woman to be accused of witchcraft during the Salem witch trials, MOVE, the movement and militant separatist group famous for its violent stand-offs with the Philadelphia Police Department ("flames rose like orchids . . . blocks lay open like egg cartons") and more.
In 2018, Utah Poet Laureate Paisley Rekdal was commissioned to write a poem commemorating the 150th anniversary of the transcontinental railroad. The result is West: A Translation—an unflinching hybrid collection of poems and essays that draws a powerful, necessary connection between the railroad’s completion and the Chinese Exclusion Act (1882–1943).
In C. T. Salazar’s striking debut poetry collection, the speaker is situated in the tradition of Southern literature but reimagines its terrain with an eye on the South’s historic and ongoing violence. His restless relationship with religion (“a child told me there was a god / and because he was smiling, I believed him”) eventually includes a reclamation of the language of belief in the name of desire. “I felt myself become gospel in your hands,” the speaker tells his beloved. And, as the title poem asserts, a headless body “leaves more room for salvation."
In Poūkahangatus (pronounced “Pocahontas”), her debut volume, Tibble challenges a dazzling array of mythologies—Greek, Māori, feminist, kiwi—peeling them apart, respinning them in modern terms. Her poems move from rhythmic discussions of the Kardashians, sugar daddies, and Twilight to exquisite renderings of the natural world and precise emotions. Tibble is also a master narrator of teenage womanhood, its exhilarating highs and devastating lows; her high-camp aesthetics correlate to the overflowing beauty, irony, and ruination of her surroundings.
In Bard, Kinetic, Anne Waldman assembles a layered compendium of essays, letters, poems, and interviews that form a portrait of her life and praxis as a groundbreaking poet. Waldman charts her journey through a maelstrom of radical artistic activity, from growing up in Greenwich Village to creative partnership with Allen Ginsberg and touring with Bob Dylan. She recalls founding the Poetry Project at St. Mark's Church and later the Jack Kerouac School of Disembodied Poetics at Naropa University, and she discusses the political and artistic philosophies that guide her activities as writer, activist, performer, instigator, and Buddhist practitioner.
Simone White's or, on being the other woman is a book-length poem that considers the dynamics of contemporary Black feminist materiality. White writes through a hybrid of poetry, essay, personal narrative, and critical theory in order to attest to the narrative complexities of writing and living as a Black woman and artist.